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Composing for Ninagawa: A Talk by Yasuhiro Kasamatsu
Artist Talk: Mari Katayama new
Japan Foundation Touring Film Programme 2019 new
Van Gogh & Japan: The Provence Years new

Composing for Ninagawa: A Talk by Yasuhiro Kasamatsu   org

Yasuhiro Kasamatsu is Japan’s acclaimed composer who has a wide-ranging repertoire from chamber music, to opera, to musicals. However what has made him stand out the most is his involvement in theatre productions, in particular the staging of the works by Yukio Ninagawa who sadly passed away in 2016. Keeping close contact with the theatre giant, Kasamatsu composed music pieces for Ninagawa’s “Hamlet”, “Pericles” and “The Twelfth Night” among many others, which played a significant role towards their stage success. His credits also extend to film and TV dramas such as Hirokazu Kore-eda’s 1998 film “After Life”.

In this special talk, Kasamatsu will share his insights into his creative process when composing music, as well as reflecting on the prolific partnership between him and Ninagawa. With representative pieces on board, he will also discuss the way his music attuned to Ninagawa’s spellbinding stages, helping convey the narratives and how it complimented the mood and flow.

This will provide a rare opportunity to uncover the hidden stories of the Ninagawa production process from a musical perspective which you might have never witnessed before.


Date: 21 January 2019 from 6.30pm
Venue:

Kings Place, London N1 9AG


For more information, please click here.

Yasuhiro Kasamatsu has been sent to the UK by the Agency for Cultural Affairs of Japan as a cultural envoy. There will be a special concert on Yasuhiro Kasamatsu's music pieces including the second movement from String quartet No.4, “Sone-zaki” for string quartet, based on Bunraku (Japanese traditional puppet theater), at The Grosvenor Chapel on 27 January from 17:30.

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Artist Talk: Mari Katayama   org

In the photographic self-portraits of Mari Katayama, the artist’s body features prominently, surrounded by painstakingly arranged objects, both in intimate settings or set against vast landscapes. The recipient of the Grand Prize at Art Award Tokyo Marunouchi 2012, Katayama was born with various developmental challenges, and had both legs amputated at age nine and has since lived with prosthetics. Using her body as a living sculpture, Katayama photographs herself among intricately embroidered objects, hand-sewn mannequins and her prosthetic legs. Katayama’s photography has been exhibited at museums such as the Gallery J, Arts Maebashi and the Museum of Modern Art in Gunma, Traumaris Gallery in Tokyo and Kitchen Gallery in Paris, and has also featured in group exhibitions at the Metropolitan Art Museum and the Mori Art Museum in Tokyo and La Criée in Marseille, amongst others.

In conjunction with her solo exhibition at the White Rainbow Gallery, Katayama will be delivering a talk on her artistic process, touching on how her physical difficulty has informed her work and influenced her body images, along with having a conversation with Simon Baker, director of the Maison Européenne de la Photographie in Paris.


Date: 24 January 2019 from 6.45pm
Venue:

Royal Society of Arts


For more information, please click here.

This event has been organised in collaboration with White Rainbow Gallery, where Mari Katayama's solo exhibition will run from 24 January 2019 to 2 March 2019, and it is celebrating the Embassy of Japan's Season of Culture. 

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Japan Foundation Touring Film Programme 2019   org

 

Love, in all its semblances and dimensions, is a state so universally experienced by humankind that it has provided a perpetual source of inspiration in the long history of global cinema. Japanese cinema is no different. Love and the associated feelings of passion, affection, and destruction, in equal measure have all been channelled into a pivotal driving force behind the rise of many Japanese filmmakers, crystallising in timeless works which form part of the nation’s artistic repertoire.

The Japan Foundation Touring Film Programme 2019 features thoughtfully selected works, all focusing on this theme in one way or another. As the conventional binaries defining what it means to love continually give way to new understandings of this sweeping emotion, so too does this year’s curation aim to provide insights into a wider context of love in Japanese society.

Embracing other complicated emotions that go hand in hand with love, the programme aims to provide a more comprehensive picture of Japanese relationships, ranging from conventional love stories, LGBT issues, familial devotion, compassion for the fellow man, transgressive attractions, to profound renderings of the devastation felt with the loss of love


Date: 2 February 2019 - 28 March 2019
Venue:

Cinemas across the UK. 


For more information, please click here.

For all information on the selected films and participating venues, please visit our dedicated website by following the link above.

 

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Van Gogh & Japan: The Provence Years   org

For Van Gogh, Japan held great appeal, particularly its woodblock prints. In 1888 he left Paris and headed south, to the city of Arles in Provence. In its clear light, he developed as a landscape artist under the inspiration of Japanese artists. On his arrival, he wrote that “I feel I’m in Japan”.

Join Van Gogh specialist, Martin Bailey, author of Starry Night: Van Gogh in the Asylum and co-curator of Tate’s forthcoming Van Gogh exhibition (27 March-11 August 2019), will talk about his discoveries about the artist’s period in Provence—with a particular emphasis on his love for Japanese prints.


Date: 30 January 2019 from 6.45pm
Venue:

Asia House

63 New Cavendish Street

London

W1G 7LP


For more information, please click here.

The event is organised in collaboration with The Courtauld Institute of Art and Japan Foundation.

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