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BFI JAPAN: 100 YEARS OF JAPANESE CINEMA (Part 1) new
[Online Talk] Drawing Movements - Creator Talk with Atsushi WADA and Sarina NIHEI new
[Online Talk] Tokyo x Contemporary Art: 3 Views of the City new

BFI JAPAN: 100 YEARS OF JAPANESE CINEMA (Part 1)   org

 

We are proud to partner with the British Film Institute’s most anticipated and ambitious

Japan season. The first of two parts at BFI Southbank focus on the Golden Age of the studio system which includes KUROSAWA’s Throne of Blood and Yojimbo. Some of the screenings are already sold out. Enjoy the selection of Japanese masterpieces on the big screen!

Special online talk event will be announced soon.


Date: 18 October 2021 - 31 December 2021

For more information, please click here.
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[Online Talk] Drawing Movements - Creator Talk with Atsushi WADA and Sarina NIHEI   org

 

In collaboration with this year’s London International Animation Festival, two Japanese animation creators, Atsushi WADA and Sarina NIHEI, whose works will be shown as part of the festival, will come and talk about their creative processes as well as the ideas and inspirations behind their productions. As award-winning artists, both WADA and NIHEI have been recognised internationally for their work. During this talk, you will be able to hear directly from these talented creators as to how they have continued to flutter their wings of imagination and crystalise it into the fascinating motion pictures.

 

The talk will be moderated by Alex Dudok de Wit.

 

 

 

 

 

About the speakers

(Moderator) Alex Dudok de Wit is a journalist who writes chiefly about the art and business of animation. He is the Deputy Editor at Cartoon Brew, the most widely read animation news site, and an animation correspondent for Sight & Sound, the magazine of the British Film Institute. His writing has also appeared on the BBC and in Vulture, Little White Lies, The Telegraph, The i, The Independent, Time Out, and Index on Censorship. His first book, Grave of the Fireflies (BFI Film Classics), was published by Bloomsbury on May 6.

 

Sarina NIHEI is a freelance animation director from Japan. Being obsessed with Estonian animation, she decided to pursue a career in the field. She is a graduate of London's Royal College of Art. Her graduation film from the RCA, Small People with Hats, won prizes at festivals around the world including the Grand Prize at the 2015 Ottawa International Animation Festival, HAFF, and Best post-graduate film at the British Animation Awards 2016. More recently, her work has gathered the Special Distinction Prize at BIAF 2020 South Korea and Best International Short Film at Bit Bang Fest 2020 Argentina, among many others. Specialising in hand-drawn animation, she loves to make surreal stories.

 

Atsushi WADA graduated from the Osaka Kyoiku University, Image Forum Institute of Moving Image and Tokyo University of the Arts. He likes to portray comfortable movements and is always thinking about the Japanese traditional concept of ‘Ma’, the tension produced between movements. In a Pig's Eye (2010) won the Best of the Festival at London International Animation Festival, and the Best Film at Fantoche International Animation Film Festival. The Mechanism of Spring (2010) premiered at the Venice Film Festival and The Great Rabbit (2012) won the Silver Bear at the Berlin Film Festival. His solo exhibition My Marsh was held in Yokohama Museum of Art in 2017 and in Hyogo Prefectural Museum of Art in 2018. A new game animated by WADA, My Exercise, was released in 2020 and a new short film Bird in the Peninsula is in production.

 

This online event is free to attend but registration is essential.

To reserve your space, please book your ticket here.

 


Date: 4 December 2021 from 1.00pm

For more information, please click here.

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[Online Talk] Tokyo x Contemporary Art: 3 Views of the City   org

 

In this special online talk event, acclaimed artists Mohri Yuko, Takano Ryudai and Yamaguchi Akira will introduce their work and talk about Tokyo. Despite using different artistic media, ranging from woodblock printing to photography and installation, their art has similarly been inspired by the metropolis. How is Tokyo shown in their works? How has living in Tokyo impacted their practise? What does Tokyo mean to them? The artists are joined by curator Lena Fritsch, who recently included their works of art in the Ashmolean Museum's exhibition Tokyo: Art & Photography (running until 3 January 2022) which is supported by the Japan Foundation.

The exhibition is a celebration of one of the world’s most creative, dynamic and fascinating cities. Including works on loan from Japan and new commissions by contemporary artists, the show spans the exquisite arts of the Edo period and the iconic woodblock images of Hiroshige to photographic installations.

 

 

About the speakers

(Moderator) Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. She has researched Japanese art for over fifteen years with publications including Tokyo: Art & Photography (2021), Ravens & Red Lipstick: Japanese Photography since 1945 (2018), an English-language version of Moriyama Daido’s Tales of Tono (2012), The Body as a Screen: Japanese Art Photography of the 1990s (2011), and Yasumasa Morimura’s Self-Portrait as Actress (2008). Fritsch holds a PhD in art history from Bonn University, and also studied at Keio University, Tokyo.

 

MOHRI Yuko lives and works in Tokyo. She works on installations that detect invisible and intangible energies such as gravity, magnetic and wind. Her major solo exhibitions include: “SP.” (Ginza Sony Park, Tokyo, Japan, 2020); “Voluta” (Camden Arts Centre, London, UK, 2018); “Assume That There Is Friction and Resistance” (Towada Arts Center, Aomori, Japan, 2018). She has also participated in numerous group exhibitions such as: “34th Bienal de São Paulo” (São Paulo, Brazil, 2021); “Glasgow International 2021” (Glasgow, UK, 2021); “The 9th Asia Pacific Triennial of Contemporary Art” (Brisbane, Australia, 2018); “14th Biennale de Lyon” (Lyon, France, 2017); “Yokohama Triennale” (Kanagawa, Japan, 2014). She is also the grantee of the Asian Cultural Council for a 6-month residency in New York (2015) and the recipient of the Grand Prix, Nissan Art Award (2015); The 67th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists (2017). In 2018, Mohri, as East Asian Cultural Exchange Envoy, visited 4 cities in China.

 

TAKANO Ryudai is a photographer born in 1963 in Fukui. He has been engaged in his artistic practice on the theme of sexuality since 1994, in 2005 winning the Kimura Ihei Award for In My Room. Since then he has produced a number of works viewing the “down there” matter of sexual desire in the context of its relationship to the likes of identity and social norms, including How to contact a man, which explores the theme of sexuality in pornographic format; and With me, whose unguarded expressions of sexuality led to trouble with the police. In addition, Takano has produced series that question the notion of a hierarchy of value in visual representation, including the Reclining Woo-Man series of “unmarketable” body images; and Kasubaba, which captures very familiar yet neglected parts of the distinctively Japanese urban landscape. Since the Tohoku earthquake and tsunami of 2011, Takano has been engaged in various projects on the theme of shadows.

 

YAMAGUCHI Akira (b. 1969, Tokyo) grew up in the Gunma prefecture and graduated from Tokyo University of the Arts with a MA in Oil Painting in 1996. His work is characterized by a style of painting which uses the technique of oil painting within the traditional Japanese painting style. Known for painting bird’s-eye views of cities and battlefields, he traverses a variety of methods of expression including sculpture, manga, and installation. He has exhibited many shows both internationally and domestically. He has contributed public artworks in several locations including Narita International Airport and Nihonbashi Station (Tokyo Metro). He has also produced the official art poster for the Tokyo 2020 Paralympic Games.

 

 

Image credits:

Yamaguchi Akira, New Sights of Tokyo: Tokaido Nihonbashi Revisited, 2012. © Yamaguchi Akira. Courtesy Mizuma Art Gallery.

Mohri Yuko, Moré Moré Tokyo fieldwork, since 2009. © Mohri Yuko. Courtesy the artist.

Takano Ryudai, Tokyo Tower (2011.03.11) from Daily Snapshots, 2011. © Takano Ryudai. Courtesy the artist and Yumiko Chiba Associates, Tokyo.


Date: 7 December 2021 from 12.00pm

For more information, please click here.
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